I grew up in the 1950s and loved getting the bejeezus scared out of me by monster movies my brother and I watched at a local theater or on TV. With a budding interest in writing, I began noting down monsters and scenes that caught my attention. In fact, it was from the TV series The Outer Limits, an episode entitled Zanti Misfits, that I later got the idea for the creatures in my book. I am currently reading books on the strange pelagic creatures that live at extreme ocean depths for a monster story with a nautical theme. I hope you find the books on my list as enjoyable and informative as I did.
I read this novella in high school and was struck by the vivid characterization, an exposé of human nature with memorable characters: George and his dream of owning a ranch, Lennie, mentally challenged and dependent on George to tell him what to do, and Curlie, the story’s antagonist whose wife brings the world crashing down on Lennie.
Since I started writing, I have read Of Mice and Men several times. It is my go-to story for refreshing the nuances of human nature.
Introducing Little Clothbound Classics: irresistible, mini editions of short stories, novellas and essays from the world's greatest writers, designed by the award-winning Coralie Bickford-Smith.
Celebrating the range and diversity of Penguin Classics, they take us from snowy Japan to springtime Vienna, from haunted New England to a sun-drenched Mediterranean island, and from a game of chess on the ocean to a love story on the moon. Beautifully designed and printed, these collectible editions are bound in colourful, tactile cloth and stamped with foil.
Drifters in search of work, George and his childlike friend Lennie have nothing in the world except…
This was recommended to me by a friend who knew I was writing a sci-fi story that takes place in South Louisiana, where my story is set. Gautreaux’s story is enjoyable, but it is the vivid descriptions of the logging camp and its surroundings that held my attention: the thick, almost suffocating damp air, the smells of decay, and the dark mocha of mud puddles that never seem to dry up.
Though my own story isn’t set specifically in a swamp, this gave me the punch I needed to describe the Louisiana town where my story is set.
Byron Aldridge, heir to a timber empire, returns from the First World War a changed man and finds refuge as a company policeman in a backwoods Louisiana sawmill. Soon his younger brother Randolph tracks him down, assuming charge of the mill in the hope of rescuing his former idol. But as the brothers try to understand each other and their wives contend with their own hopes and fears, it is Randolph who starts a feud with the Sicilians who control the whisky and girls, and the future grows fearsome for them all.
It began with a dying husband, and it ended in a dynasty.
It took away her husband’s pain on his deathbed, kept her from losing the family farm, gave her the power to build a thriving business, but it’s illegal to grow in every state in the country in 1978.…
I came across this book in a bookstore when I was developing the morphology and physiology of the creatures in my book. It provided me with insights into what “my” extraterrestrials might look like and how they might differ physiologically from Earthbound creatures.
From the very concept of life beyond our planet, I was reminded that, like life on Earth, extraterrestrials could metabolize sulfur and/or arsenic and how, like on Earth, they would evolve to suit changing environmental conditions. Those very concepts were pivotal in the creation of the “bugs” in my story.
The scientific story of the coming century-the inevitable discovery of life on other planets and what it will mean for our understanding of earth. To many people, the main question about extraterrestrial life is whether or not it exists. But to the scientific community, that question has already been answered: It does. So confident are scientists of the existence of life on other planets that they've invested serious amounts of money, time and prestige in finding and studying it. NASA has started an Institute of Astrobiology, for instance, and the University of Washington, Seattle, began in September 1999 to accept…
I am a firm believer that the more information you assimilate, the more you know and the better writer you can be. I found this book refreshing and informative, with detailed insights into what we know about the universe, the Earth, through the evolution of humankind, and our social history up to more modern times.
No matter what your preferred genre is or what worlds you create, Big History is a foundation on which you can build any story, including Sci-fi, like my book.
Big History: Between Nothing and Everything surveys the past not just of humanity, or even of planet Earth, but of the entire universe. In reading this book instructors and students will retrace a voyage that began 13.7 billion years ago with the Big Bang and the appearance of the universe. Big history incorporates findings from cosmology, earth and life sciences, and human history, and assembles them into a single, universal historical narrative of our universe and of our place within it.
The first edition of Big History: Between Nothing and Everything, is written by the pioneers of the field, and…
She’s hiding from pain. He’s lost everything but his dog. When fresh air and second chances bring them together, can they rediscover true love?
If you enjoy kind-hearted heroes, small towns, and more humor than heat, you’ll adore this contemporary Alaskan romance! A Darling Handyman is the feel-good first book…
There is no other book I have read that offers greater insights into the elements and structure of writing than this book. Written for screenplay writers, I find it an excellent source of guidance and support.
It offers a detailed, step by step review of story progression and structure, from the beginning of a scene/chapter through the build-up and to an ending too enticing to not turn the page. It has guided me just as it has Dominick Dunne, as quoted in Amazon’s review of the book: "In difficult periods of writing, I often turn to Robert McKee's wonderful book for guidance" - Dominick Dunne, Novelist
Structure is Character. Characters are what they do. Story events impact the characters and the characters impact events. Actions and reactions create revelation and insight, opening the door to a meaningful emotional experience for the audience. Story is what elevates a film, a novel, a play, or teleplay, transforming a good work into a great one. Movie-making in particular is a collaborative endeavour - requiring great skill and talent by the entire cast, crew and creative team - but the screenwriter is the only original artist on a film. Everyone else - the actors, directors, cameramen, production designers, editors, special…
A backwater Louisiana town is ground zero for an unlikely standoff between law enforcement and a subterranean nest of insect-like creatures armed with inch-long stingers and venom that dissolves the flesh off of sting victims in minutes.
Expert entomologists determine the deadly creatures are not of this world and are horrified when they realize the strange aliens are about to swarm.
Lenore James, a woman of independent means who has outlived three husbands, is determined to disentangle her brother Gilbert from the beguiling Charlotte Eden. Chafing against misogyny and racism in the post-Civil War South, Lenore learns that Charlotte’s husband is enmeshed in the re-enslavement schemes of a powerful judge, and…
Lou Alcott is turning over a new leaf as a private investigator. Formerly police, she was forced to resign when she attacked a domestic violence perpetrator. She's always vowed to be nothing like her grandfather, Hamish, Melbourne's biggest crime boss, delivering an eye for an eye, but this guy had…
